Jason Schwartzman and Carol Kane are a magnificent double act in Nathan Silver's thoughtful take on grief and faith, which sees a cantor in crisis reunite with his childhood music teacher.
Sophie Monks Kaufman continues her deep dive into the neurodivergent coding of Wes Anderson's cinema in this far-reaching long read.
Through conversations with psychologists, neurodivergent friends, Jason Schwartzman and the man himself, Sophie Monks Kaufman investigates the meticulous worlds of Wes Anderson and their potent emotional frequencies.
The long-time collaborator and star of Wes Anderson's Asteroid City speaks on their enduring friendship, Stanley Kubrick, and learning to talk without moving your mouth.
The maestro returns, the patented formula tweaked to blissful perfection in this witty and deeply moving exploration of the tools that we produce to help us see beyond our everyday vision.
Wes Anderson returns with one of his most dazzling, rich and playfully self-reflexive films to date, brought to eye-popping life by an all-timer ensemble.
The cast of Edgar Wright's film adaptation has reunited for a Netflix miniseries about the mild-mannered, ex-dueling Torontonian.
With a theatrical run scheduled for June, a premiere at Cannes seems all but assured.
The story of a French newspaper's post-WWII operation goes heavy on whimsy.
Timothée Chalamet, Elisabeth Moss and Christoph Waltz are all entering the Wes-verse.
See a young Wes, Jason Schwartzman and Bill Murray in Eric Chase Anderson’s ‘Making of Rushmore’.
By Simon Bland
The actor recalls how a chance encounter with Wes Anderson launched his career.
The US writer/director takes us inside his spellbinding stop-motion opus Isle of Dogs.
The actor loses his cool in a newly released deleted scene from Alex Ross Perry’s Listen Up Philip.
A bawdy social comedy which says that it’s not the size that matters, but what you do with it that counts.
Jason Schwartzman stars in this pointed portrait of a douchebag artist from Alex Ross Perry.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
