Some of the best nuggets of glitz and scandal throughout the history of the most famous international film festival.
By Anton Bitel
The French director’s 1968 La Prisonnière aka Woman in Chains is both compelling and perverse.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
