Guy Maddin

Sadness with Pizzazz: The Saddest Music in the World at 20

By Theo Rollason

Two decades after its release, Guy Maddin's eccentric Prohibition era satire speaks to a contemporary obsession with corporatising pain.

Guy Maddin is bringing a new augmented-reality project to London Film Festival

By Charles Bramesco

He's leading today's wave of announcements concerning the 'LFF Expanded' programme of immersive art forms.

The 100 Best Films of the 2000s: 100-76

By Little White Lies

Part one of our bumper survey of the noughties, featuring Avatar, Borat! and Requiem for a Dream.

Meet the Guy Maddin-esque gonzo filmmaker challenging Canadian identity

By Justine Smith

Director Matthew Rankin discusses his experimental debut feature The Twentieth Century.

Programmers Picks from the 2018 BFI London Film Festival

By Anton Bitel

Personal recommendations to seek out during the upcoming edition of the UK’s biggest film event.

The 100 best films of the 1990s: 100-76

By Little White Lies

Our ’90s countdown kicks off with movies from Tim Burton, David Lynch and Hayao Miyazaki.

Guy Maddin’s latest project is a hallucinatory online experience

By Alex Chambers

The Canadian director uses a bespoke algorithm to take audiences on a unique interactive journey.

Watch the trailer for The Forbidden Room

By Little White Lies

Prepare to be astounded by Guy Maddin and Evan Johnson’s cinematic seance.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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