By Simon Bland
The director reflects on the creation of one of cinema’s enduring monsters, Patrick Bateman.
By Tom Williams
Bret Easton Ellis and Mary Harron’s caustic vision of ’80s consumerism is sadly back en vogue.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
