Antonio Campos

Why I love Rebecca Hall’s performance in Christine

By Caroline Madden

In her haunting depiction of Christine Chubbock, I recognised elements of my own experience with depression and isolation.

The Devil All the Time

By Hannah Strong

Antonio Campos’ star-jammed Southern potboiler fails to capture the poetic misery of Donald Ray Pollock’s source novel.

review

A starry ensemble sinks into sin in The Devil All The Time trailer

By Charles Bramesco

Tom Holland, Robert Pattinson, Riley Keough and Mia Wasikowska head up Antonio Campos’ period piece.

Six great films that show the dark side of the TV industry

By Tom Bond

From Network to Nightcrawler, cinema has a long history of exposing television’s rotten core.

White Gaze – How films of anxiety and introspection clouded America’s dominant perspective

By Stephen Winter

In our latest Obama Era Cinema essay, Stephen Winter considers the impact of two controversial role reversal fantasies.

Simon Killer

By David Jenkins

Bad things go down in the city of lights in Antonio Campos’ chilling character study.

review

Afterschool

By Adam Woodward

A bold directorial debut, but Antonio Campos still has a lot to learn.

review

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design