35mm

Why watch Film on Film?

By Lillian Crawford

The BFI's first annual Film on Film festival aims to celebrate and educate on the wonders of celluloid, from nitrate and 35mm to 3D.

The BFI’s new Film on Film Festival is a celluloid fetishist’s dream

By Charles Bramesco

The 2023 proceedings will feature a bevy of classics projected on good ol’ 35mm, 16mm, and 70mm.

Inside the company transferring digital film onto 35mm

By Hannah Strong

On a quiet industrial estate in Southeast England, CPC London are keeping the print dream alive.

Paul Thomas Anderson: ‘Daniel retiring completely changes things’

By Adam Woodward

The American master talks Phantom Thread and preparing for a post-Daniel Day-Lewis future.

In praise of Holy Motors

By Ben Nicholson

One of the great screen visions of modern Paris come to the ICA on 35mm in association with MUBI

In praise of Orson Welles’ F For Fake

By Phil Concannon

Come and see the maestro's final big trick on a 35mm print at the ICA cinema with MUBI and Little White Lies.

Practical Magic: Six Ways to Fight for Film

By Little White Lies

Inspired by Dunkirk’s 70mm release, The Badlands Collective present a manifesto for saving celluloid.

A 10 point guide to saving 35mm

By Sophie Monks Kaufman

Director of the Close-Up Film Centre Damien Sanville offers a possible route to a 35mm revival.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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