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You Were Never Really Here

By Hannah Woodhead

Joaquin Phoenix and director Lynne Ramsay combine forces to deliver a sensational cinematic sucker punch.

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Annihilation

By Adam Woodward

Alex Garland delivers a visually stunning, coolly affecting allegory for life, loss and human fallibility.

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The Touch (1971)

By David Jenkins

Ingmar Bergman’s first English-language feature is a lost, mid-career gem, unearthed and restored by the BFI.

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The Shape of Water

By Matt Thrift

Guillermo del Toro’s latest is a fairy tale for grown-ups with a cinephile twist – it may be his most perfect confection to date.

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Lady Bird

By Sophie Monks Kaufman

Saoirse Ronan experiences growing pains in Sacramento in Greta Gerwig’s delightful indie comedy.

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Black Panther

By Hannah Woodhead

Creed wunderkind Ryan Coogler takes the reigns to deliver Marvel’s best origin story since Iron Man.

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The 15:17 to Paris

By David Jenkins

Clint Eastwood cleverly restages a real-life act of heroism in this intriguing and moving docudrama.

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The Nothing Factory

By David Jenkins

This Cannes-winning working class musical from Portugal’s Pedro Pinho is not all it seems.

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Last Flag Flying

By Craig Williams

Richard Linklater’s “spiritual sequel” to The Last Detail is one of his most impressive achievements.

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Lover for a Day

By Ian Barr

French auteur Philippe Garrel returns with another consummately crafted relationship drama.

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The Commuter

By Elena Lazic

Liam Neeson and Jaume Collet-Serra join forces once more for this fast-paced and furiously entertaining actioner.

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Three Billboards Outside Ebbing, Missouri

By David Jenkins

Frances McDormand goes on the war path in director Martin McDonagh’s sensational latest.

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Brad’s Status

By Phil Concannon

Ben Stiller playing another self-pitying white dude? Yes, but this is thought-provoking and rewarding comedy.

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Persona (1966)

By David Jenkins

Ingmar Bergman’s enigmatic masterpiece still shines with a piercing intensity after 50 years.

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The Greatest Showman

By Manuela Lazic

Hugh Jackman brings boundless energy and enthusiasm to this crowd-pleasing circus musical.

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Mountains May Depart

By David Jenkins

Jia Zhangke’s ambitious, multi-stranded romantic epic features a stunning central turn from Zhao Tao.

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Star Wars: The Last Jedi

By Hannah Woodhead

Rian Johnson serves up the most spectacular, emotional and weirdest Star Wars film to date.

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Human Flow

By James Luxford

Ai Weiwei’s nuanced and fascinating portrait of global migration is one of the year’s most important films.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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