Features

Love Lies Bleeding – first-look review

By Hannah Strong

A drifting bodybuilder and a reclusive gym employee fall hard for each other with devastating consequences in Rose Glass's explosive thriller.

What to watch at home in February

By Anton Bitel

Killer sloths and a Kubrick classic are among the best new releases hitting physical media and digital this month.

The Outrun – first-look review

By Hannah Strong

Saoirse Ronan stars as a young woman battling alcoholism on the Orkney Isles in Nora Fingscheidt's adaptation of Amy Liptrott's bestselling memoir.

Crossing – first-look review

By Hannah Strong

A retired Georgian teacher sets out to reunite with her estranged niece in Istanbul in Levan Akin's compassionate third feature.

La Cocina – first-look review

By Hannah Strong

Alonso Ruizpalacios's bilingual drama takes place during the chaotic lunch rush of a Times Square restaurant, where tensions flare between front of house and kitchen staff.

Cuckoo – first-look review

By Hannah Strong

Hunter Schafer stars in Tilman Singer's second film, about strange occurances at an Alpine resort.

A Different Man – first-look review

By Hannah Strong

Sebastian Stan and Adam Pearson are an excellent double act in Adam Schimberg's effective sophomore feature.

Thelma – first-look review

By Hannah Strong

June Squibb is a delight in this sweet comedy about an irrepressible 93-year-old who won't take being scammed lying down.

Handling the Undead – first-look review

By Hannah Strong

Three families reckon with the dead returning from the grave in Thea Hvistendahl's glacial horror drama.

I Saw the TV Glow – first-look review

By Esther Rosenfield

Jane Schoenbrun's sophomore feature is an unnerving take on loneliness, isolation, and the enduring mysteries of children's media.

Glasgow Film Festival announces A-grade line-up

By David Jenkins

A grand banquet of film has been laid out for the festival's 20th anniversary edition.

Berlin announce exciting 2024 competition line-up

By David Jenkins

Outgoing artistic director Carlo Chatrian delivers the world cinema goods for his final edition at the helm.

Andrew Haigh: ‘I’m a pretty melancholic person’

By Hannah Strong

The British director on the power of crying and how he crafted his heartbreaking new film, All of Us Strangers.

Between the Temples – first-look review

By Hannah Strong

Jason Schwartzman and Carol Kane are a magnificent double act in Nathan Silver's thoughtful take on grief and faith, which sees a cantor in crisis reunite with his childhood music teacher.

Daniel Kaluuya and Kibwe Tavares: ‘Gentrification is hard to dramatise’

By Rogan Graham

Old pals and creative collaborators Daniel Kaluuya and Kibwe Tavares team up to present their vision of a near future where London's last social housing estate stands up against the oppressive regime.

What to watch at home in January

By Anton Bitel

Pagan rituals, a Michael Powell classic and killer alligators are on the agenda in the first of 2024's home ents guides.

Yorgos Lanthimos: ‘Why is sex such a taboo? I really don’t understand’

By Hannah Strong

Yorgos Lanthimos on the intricate cine-suture work that it took to make his magnificent new film, Poor Things.

Ten essential Werner Herzog films

By David Jenkins

In celebration of a BFI season of the German maverick’s sublime work in film, we pick ten of our absolute faves.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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