Mark Cousins’ analytical survey of the Hitchcock filmography draws on a strange and not entirely helpful special guest for its narration.
Documentary maker Mark Cousins gets personal with this eye-opening essay film about the history of human vision.
Mark Cousins returns with an essay feature on the doodles and draftsmanship of Orson Welles.
By Eve Watling
A rare misfire from director Mark Cousins, as he turns his camera to the streets of the Swedish capital.
The itinerant and inquisitive cinephile delivers this moving child-based addendum to his mammoth The Story of Film.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
