Filmmaker Kirsten Johnson repeatedly offs her father in this darkly funny and profound meditation on life and loss.
By Matthew Eng
Kirsten Johnson’s visual autobiography is a striking and knowledgeable account of a life in film.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
