Posts by Patrick Nabarro

The prescient politics of GW Pabst’s anti-war films

By Patrick Nabarro

In Westfront 1918 and Kameradschaft, the Austrian director interrogates the slippery notion of nationalism.

Why I love Terence Davies’ The Long Day Closes

By Patrick Nabarro

The director’s 1992 drama is among the most tender coming-of-age films ever made.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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