Posts by Justine Smith

Why Tár should win the Best Original Screenplay Academy Award

By Justine Smith

Todd Field's script for the classical music psychodrama is a meticulously crafted exercise in form.

Paul Verhoeven: ‘I identify far more with the “female” part of my brain’

By Justine Smith

The Dutch provocateur chats lesbian nuns, alternate realities and his undying love for Quentin Tarantino.

Why I love Joan Crawford’s performance in Daisy Kenyon

By Justine Smith

Otto Preminger’s 1947 love triangle with a postwar twist sees the Hollywood star at her bristling best.

How Russ Meyer changed the face of American film

By Justine Smith

The sleaze king of Hollywood cinema paved the way for a generation of filmmakers, evading post-Code censors with his “nudie-cuties”.

The complicated cinematic legacy of Ned Kelly

By Justine Smith

A fabled Australian outlaw has been portrayed by everyone from Mick Jagger to Heath Ledger – with wildly varying results.

How Sam Peckinpah transformed the TV western

By Justine Smith

Before he moved into films, the director conceived a bold, unromanticised vision of the American frontier.

Why should we care who writes film history?

By Justine Smith

Reflections on director Mark Cousins’ latest cinematic road trip, Women Make Film.

Exploring indigenous Canadian films at the Festival du Nouveau Cinéma

By Justine Smith

This year’s edition of the Montreal-based festival showed the value of giving marginalised native filmmakers a platform.

Meet the Guy Maddin-esque gonzo filmmaker challenging Canadian identity

By Justine Smith

Director Matthew Rankin discusses his experimental debut feature The Twentieth Century.

How the Hollywood sign became a monument to LA mythology

By Justine Smith

Seventy years ago, a long-neglected real estate ad was rebuilt and an iconic cultural landmark was born.

The rising women of genre cinema

By Justine Smith

This year’s Fantasia International Film Festival in Montreal showcased an exciting emerging crop of boundary-pushing directors.

The self-taught filmmaking family shaking up the horror genre

By Justine Smith

Along with their daughters, co-directors John Adams and Toby Poser are winning fans with their alternative, homespun approach.

Revisiting Summer of Sam – Spike Lee’s other great heatwave movie

By Justine Smith

A serial killer and sweltering heat make for a lethal cocktail in the director’s underrated 1999 film.

The sex appeal of Harvey Keitel

By Justine Smith

The actor has always been willing to bare all for a role, but no one has captured his erotic charisma better than Jane Campion.

Are short films the future of virtual reality?

By Justine Smith

As VR continues to grow, shortform storytelling looks poised to re-enter mainstream cinema.

The time Charlie Chaplin’s corpse went missing

By Justine Smith

In 1978, the comedy icon’s body disappeared – was it a ransom plot or a practical joke gone awry?

How the 1969 Oscars marked a turning point for Hollywood

By Justine Smith

The 41st Academy Awards went ahead without a host, and signalled the transition from Old to New Hollywood.

In praise of Paul Newman, Director

By Justine Smith

From Rachel, Rachel to The Glass Menagerie, we look back at the Hollywood icon’s underappreciated work behind the camera.

The bittersweet legacy of Butterfly McQueen

By Justine Smith

The Gone with the Wind star was an underappreciated and complex woman in an era of limited opportunities.

A new documentary reveals the ugly truth of modern politics

By Justine Smith

The Trial examines the impeachment of Brazil’s first democratically elected female president.

Jim Cummings: ‘I spent three months trying to get in touch with Bruce Springsteen’

By Justine Smith

The American writer/director talks Thunder Road, self-distributing and trying to track down The Boss.

It’s Showtime! – Why Beetlejuice remains the ghost with the most

By Justine Smith

Thirty years ago, Tim Burton unleashed his colourful, bizarre vision of the afterlife onto the world.

Can a movie exist without images?

By Justine Smith

A new ‘sound movie’ called Le Brasier Shelley represents a curious development in post-image cinema.

Why I love Patricia Arquette’s performance in True Romance

By Justine Smith

Her role as lovestruck sex worker Alabama is among the most compelling characters of the 1990s.

Dawn of the Dead had an alternate ending that’s even bleaker than the original

By Justine Smith

George A Romero originally had a different fate in store for the protagonists of his zombie classic.

The best new genre films from Fantasia Film Festival 2018

By Justine Smith

Our complex relationship with technology came under the spotlight at this year’s festival.

Did the Olsen twins ever make a great film?

By Justine Smith

Fourteen years after Mary-Kate and Ashley stepped away from acting, we reflect on the siblings’ on-screen legacy.

Joan Didion vs Pauline Kael vs The Sound of Music

By Justine Smith

Did their scathing reviews of the hit musical costs these revered female film critics their jobs?

Re-examining the challenging eroticism of In the Cut

By Justine Smith

Jane Campion’s much maligned 2003 thriller offers a vital subversion of the male gaze.

The year revolution brought the Cannes Film Festival to a halt

By Justine Smith

The events of May ’68 had a profound impact on the film world.

The Columbine massacre still echoes through cinema

By Justine Smith

As a school shooting survivor, films like Elephant and Polytechnique have a special resonance for me.

A cinema is paying tribute to sinister screen bunnies this Easter

By Justine Smith

Donnie Darko, Inland Empire and more are screening at Cinémathèque Québécoise this weekend.

Why Death Wish’s pro-gun politics are just as complex as ever

By Justine Smith

The film’s glamorisation of vigilante justice resonated with an increasingly paranoid audience in 1974.

How When We Were Kings enshrined Muhammad Ali’s legacy

By Justine Smith

Leon Gast’s award-winning 1996 film portrays the heavyweight champ as an artist, philosopher and poet.

Why King Creole is Elvis Presley’s best movie

By Justine Smith

This hit musical, released 60 years ago, remains the pinnacle of the American singer’s film career.

The stories behind the best film lists of 1967

By Justine Smith

We’ve delved into the archives to find out which films were topping critics’ charts 50 years ago.

Remembering Sonja Henie: Hollywood’s first (and only) skating superstar

By Justine Smith

The Olympic figure skater turned actor was a huge celebrity in her day – but controversy was never far away.

Travis Wilkerson: ‘There’s a tremendous opportunity for social change right now’

By Justine Smith

The radical director of Did You Wonder Who Fired the Gun? talks race and legacy in America.

Searching for Salim Shaheen: Afghanistan’s Z-movie king

By Justine Smith

The so-called ‘Prince of Nothingwood’ is his country’s zero-budget answer to Steven Spielberg.

Is this the world’s sexiest film festival?

By Justine Smith

Montreal’s Festival du Nouveau Cinéma presented erotic tales from around the world this year.

Why Jacques Tourneur is a filmmaker for our troubled modern times

By Justine Smith

The French master’s work mirrors today’s climate of social anxiety, as revealed in a recent retrospective.

Why the future of genre cinema is female

By Justine Smith

At the 2017 Fantasia Film Festival, women directors once again took centre stage.

Makin’ Wookie – A brief history of Star Wars porn parodies

By Justine Smith

George Lucas’ space saga was instrumental in kick-starting the X-rated spoof industry.

A Horror Travelogue: 31 horror movies from 31 different countries

By Justine Smith

Join us on an epic round the world trip to some of the darkest reaches of horror cinema.

The New Fear – How horror cinema uncaged America’s internal monster

By Justine Smith

Justine Smith examines how movies like The House of the Devil and Lords of Salem use nostalgia to expose a fractured national identity.

The softcore feminist romp ushering in the Roman Porno New Wave

By Justine Smith

Sion Sono’s Anti-Porno explores the untapped sexual imagination of women.

Is there still a place for eroticism in cinema?

By Justine Smith

Events like Le Festival du Film de Fesses are exploring stigmatising and transgression on the big screen.

Why Sex and the City is the greatest blockbuster of the 21st century

By Justine Smith

This TV spin-off kickstarted a conversation on diversity, while also saying that women could and should have the same rabid consumer rights as men.

The seminal fashion industry satire that paved the way for Zoolander

By Justine Smith

Ben Stiller’s comic creation channels the absurd charm of ’60s cult classic Who Are You, Polly Maggoo?

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