Michael O’Shea’s The Transfiguration builds its fantasy before shattering it with real-world adult truths.
Twenty years since Buffy first hit our screens, feminist horror fantasies are firmly back in fashion.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
