Claymation goes R-rated in these promos for The Belko Experiment

Watch three truly disgusting clips from Greg McLean and James Gunn’s violent corporate satire.

Little White Lies

From the twisted minds of director Greg McLean and writer James Gunn, The Belko Experiment is a gory new horror movie that’s pitched somewhere between Office Space and Battle Royale.

It sees a group of 80 office workers pitted against one another in a fight-to-the-death scenario that plays out in increasingly grisly fashion. If that sounds like your kind of thing, we strongly recommend watching the film in cinemas when it’s released later this month.

Before then, whet your appetite with these hyperviolent claymation promos, each of which reimagines a scene from the actual film. The clips in question were created by brilliant/deranged British animator Lee Hardcastle, who specialises in stop-motion.

He’s perhaps best known for recreating ’80s action and horror films as stop-motion spoofs. When you’ve watched the below clips, be sure to check out A Good Clay to Die HardHamster Hell and The Evil Dead in 60 Seconds with Clay – just don’t say we didn’t warn you…

The Belko Experiment is released in cinemas 21 April.

Published 4 Apr 2017

Tags: Greg McLean James Gunn

Read More

In praise of The Fly – the body horror that’s all in your head

By Dominic Preston

After 30 years David Cronenberg’s tour de force of disgust is as powerful and penetrating as ever.

The Art of Practical Special Effects in Movies, with Dan Martin

By Little White Lies

Watch Ben Wheatley’s go-to prosthetic effects artist reveal the secrets of his craft.

The forgotten story of Tom Waits’ animated music video

By Daniel Dylan Wray

Director John Lamb reflects on the making of his pioneering short film featuring the singer-songwriter.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design