By Mark Asch
Sean Penn’s directorial follow-up to The Last Face is a blatantly self-indulgent vanity project full of tiring clichés.
By Tom Seymour
Paulo Sorrentino and Sean Penn unite for a dark road movie handled with lightness and ease.
A glorious ode to the improbability of existence which asks us to cherish the simple processes of living and loving.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
