By Elena Lazic
This latest Pixar sequel is a digitally-rendered blockbuster which celebrates the joys of the analogue world.
As director and star, Ben Stiller sleepwalks through this drab, inconsequential comedy sequel.
Paul Thomas Anderson charts the end of the hippy dream in this blissful gumshoe chimera.
Midnight in Paris isn’t a clutch at yesteryear; it’s a statement that Allen still has something left to say.
A long, meandering sub-James Bond pastiche set in the confounding world of talking cars.