By Steph Green
Harry Wootliff’s adaptation of Deborah Kay Davies’ novel boasts charming leads but struggles with outdated gender politics.
Ben Wheatley goes back to basics in this understated yet supremely effective 21st century folk horror.
By Anton Bitel
Peter Strickland spins a yarn about a haunted dress in this fashionable freakout.
Ken Loach’s latest polemic has a vital message that’s diluted by some heavy-handed direction.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
