This combustible and relentlessly-paced biography of the “father of the the atomic bomb” is a contender for Christopher Nolan’s best film.
By Lou Thomas
Expectations be damned: Disney’s riverboat caper is one of the year’s most purely pleasurable motion pictures.
Silence is less than golden in this occasionally effective blockbuster sequel which trades horror for action.
Everyone’s favourite magical child carer is back in this strangely bland and uncatchy modern refit.
By Anton Bitel
There’s much to admire about this muted horror from actor-director John Krasinksi.
Emily Blunt stars as a tipsy murder witness in this crushingly perfunctory literary adaptation.
This originality-neutral trawl through a fairy tale fantasy world is saved by the comedy sidekicks.
By Vadim Rizov
Emily Blunt gets a tough lesson in Mexican-US politics in this visceral drugs war drama from Denis Villeneuve.
A sing-a-long review of this delightful screen adaptation of Stephen Sondheim’s classic musical.
A weedy Crusier is dropped into a time-switching sci-fi set-up, with undeniably interesting results.
Meet Looper, by a country mile the most resourceful, vivacious and savage science fiction movie of 2012.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
